One of the things you figure out pretty quickly if you pay attention to what students say is that a lot of them engage with the materials we show them in a very concrete way. One example of that from today’s draft intro paragraph peer review session in World History was the student who kept trying to turn prompts on reconceptualizing its paragraph into a recipe for which words to say and how to arrange them. “What have you figured out about how conditions of trade changed?” became “How many times do I need to repeat the assignment topic phrase ‘conditions of work’?”
Lots of information in a pile, no analysis. A peer shrewdly asked if there were any people involved. So we got ‘Portuguese’ on the board. Then we talked about what kind of work. Trade, as it turned out. So we added ‘trading community’ to Portuguese. Another peer asked if the issue was storms at sea or political conflict. So ‘community’ got complicated to include seamen and kings, we added ‘conflict’, and broke out ‘political’, ‘economic’, and ‘social’. Was any of that sorted out in the draft paragraph? No, so it’s not about adding or moving a word or two, it’s about figuring out what you want to get at based on what you know. At the end the student came up and took a cellphone picture of the board.
Yesterday in the ‘bad literature’ seminar the group presenting on the religious erotica genre (their choice) were struggling with audience. It turned out they assumed that the people who read things are the people those things are about. So the audience for shocking erotica about monks boinking transvestite novices must be young Catholics considering the monastic life. I asked if the audience for Huckleberry Finn was orphans and runaway slaves, and whether they would respect me as a professor if the only books I read were about aging white male professors at nice little regional universities. They had brought up and passed over quickly points about authority and credit/discredit, so I prompted them to get a little more stubborn about developing those analyses. It didn’t take long to work out that an audience of non-Catholics might have reasons to be interested in literature discrediting Catholic authority.
Another fascinating assertion in that discussion was that because all fiction is based on fact, it might as well be treated as such. So the facts about a novel’s rhetoric and context can be read right off of the text. As a fan of science fiction I was tempted to ask about the factiness of phasers, warp drives, and Wookies, but time was running short so we deferred examination of creativity and imagination to our next meeting.
Incidentally, it has occurred to me that part of the problem with the concept of linked learning is that we can see courses, but we can’t see links. We can’t see learning, either, so it’s all very confusing.
(Crossposted at Dead Voles.)