Perfectionism

Most semesters I’ll have at least a couple of students who are torturing themselves with perfectionism. Sometimes it’s so bad and they get so completely in their own way that they can’t do any work at all. I am well aware that there are some neurological and psychological dimensions to this, but as a sociological response it’s interesting as well.

In my specific experience perfectionism manifests as flailing around standards and expectations. These are the students who beg me to tell them what I want, to give them a checkbox algorithm for success. Turing me up, they say. “I want you to become responsible for an area of investigation and figure out some things about it” does not compute in the language of standards and expectations they are using.

What’s happening is that they’re waiting for someone else to define the domain and the task in a way that makes perfection possible. They’re waiting for this because over and over again, this is what they have in fact gotten. Perfection makes complete sense as a standard when perfection is achievable. In the familiar model, this looks like a test with a hundred questions on it. Although it’s difficult to answer a hundred questions correctly, it certainly can be done and often is. Perfection is a harsh but reasonable standard under these circumstances.

All through our lives engineered linearizations like tests and classes and disciplines and jobs compress and control the situations we’re in, so no one has to answer more than a hundred questions at once. But these tours de force come with some severe consequences. The world is not actually divided up into hundred question domains. There are millions of questions, and they’re irreducibly interrelated. Answering them with some level of understanding requires openness to unstructured learning, and pulling in information and strategies from across multiple domains. Perfection is not possible and therefore not a reasonable standard. We’re pulling together what we can and trying to do better. Although a division of labor and/or the emergent wisdom of markets can simulate that to some degree, such arrangements leave each actor desperately ignorant about how anything actually works.

I may be wrong, but I don’t think you can scaffold the transition from a hundred question mindset to a million question mindset. It’s not a matter of scaling up an existing cognitive routine. The existing cognitive routine is in the way, which is where the flailing comes from once it starts to fail. So I think you have to insistently make it impossible to scale the task down to a hundred questions and let the magnitude of that failure work its magic. At least that’s what I do, and it works often enough that the occasional tragic virtuoso of perfectionism looks like a sad but acceptable price to pay.

That’s a wrap

I just told a section of introductory World History they were going to make me cry, and let them out a half hour early.

Their second paper is due next week, so this week was for workshopping. My focus was on the analysis rubric: people, events, ideas, structures, dynamics. I had run through this several times over the course of the semester, not expecting them to learn it yet but just to get it familiar. (They don’t learn things until they need them for something. I’ve observed this over and over – we waste so much time teaching out of sequence with tasks! But I learned it first from Dyke the Elder years ago remarking that he’d had Calculus three different times but only learned it the third, because he needed it then for something else he was doing. Feynman says this in his famous lectures on physics, as well.)

Tuesday I asked the students to pull out their devices and look up structure and dynamics. Because the pump was primed, they found the ‘right’ definitions right away. We talked for a second about how these concepts could be helpful in organizing and making sense of the mass of information they’ve accumulated in their research. Then I pulled up one of their draft introductory paragraphs and we walked through it together, finding the people, events, ideas, structures, and dynamics it mentioned or implied. I diagrammed this all simply on the whiteboard as we went, and filled it up easily. I got the sense that this process really opened their eyes to how much was involved in even the simplest analyses.

Today we pulled up another paragraph, and with very little prompting they did the same exercise with it. The topic was Nazi propaganda, and the author had already figured out that their project was more about redirection than persuasion. By the end, we were talking about feed-in and feedback dynamics among citizens, the army, and the party. It was way cool.

I asked the whole group what they were learning for their own work from the discussion of their classmates’. One said it was seeing its research in a whole new light, as a way to figure things out rather than just amass and spout information. Another said it was now seeing a whole series of connections between its research and the rest of the class. A third chimed in that it was like we were writing a textbook together.

I asked if they wanted to workshop another paragraph and they said no, we’re ready. Which I thought was a good place to stop for the day.

A good problem to have

With an election approaching and heated rhetoric swirling in all my social and media feeds, I organized all of my classes this semester around the theme of Godwin’s Law. So that means it’s all Nazis, all the time for me this semester. Which can be wearing. But here’s an email I just got:

Greetings Dr. D,

I am having some trouble with my second paper and thought I’d reach out to you in an effort to sort out my thoughts.  Honestly I’m not even sure exactly what I’m going to be writing about, which I’m sure is 90% of the problem ::insert nervous faced emoji here::.  I know that I want this paper to talk about Hindenburg and others like him fearing Communism so much that Hitler was the “lesser of two evils.”  Those people did not want to lose their power or their property.  It was about their status and social position.  I want to talk about how that is just as important, if not more so, in contributing to Hitler’s rise to power.   I also know they thought they could use Hitler to their advantage, but I’m not quite sure what that advantage was.  Anyway, a lot of what I’ve read talks about these on the surface things, like the Treaty of Versailles, as the reason Hitler came to power (basically all the stuff I wrote in my last paper).  And although those things absolutely contributed, I think there were other things happening “backstage” that got the ball rolling, like the aforementioned power struggle.

Well there’s a good problem to have. I told this student to read back what it just wrote, trust what it had figured out, and go for it. Then, since this is a semester-long research project and I’m gradually nudging them past the people / intentions / events layer of analysis, I suggested that

Going forward, you’re absolutely getting into a complex systems kind of analysis. So the next layer after you get the intentions and trajectories of the various actors sorted is to see how those were emerging from and evolving interactively within the larger settings, at various scales.

I do not expect that to be fully self-explanatory in itself, but this and quite a few other students are getting to where they can collate a remark like this with a lot of other things I’ve showed them and we’ve talked about and practiced in class to scaffold up. Which is way cool.

After years of comprehensive education, these students came in pretty uniformly convinced “Hitler was a bad man” was fully explanatory. (From this starting point, “Hitler had some good ideas but” counts as critical thinking.) Three months of critical discussion, ignorance mapping, recursive primary and secondary research, paper drafting and workshopping, lather rinse repeating later, the puzzles have gotten quite a bit more worthy of human intelligence.

“An ongoing myriad of structures”

For the past few years Dyke the Elder and I have been more or less working on a paper about teaching complexity. We haven’t found a home for it yet, and in the meantime I’ve been gathering data in the form of student journal entries from the class demonstration and discussion of a Calder-style mobile.

Here’s one of those I just read. This is a student who engaged immediately and continuously with the class, and so was well-primed for the epiphany it describes by the time of this discussion, just before and after midterm break. I think there are signs here beyond textual assertion that a transformation is occurring. In fact, I think it’s visible even in the diction and vocabulary shift in this entry. This student is clearly pretty rough around the edges, but in the end it pulled together a semester’s research on the hystory of hysteria into a cogent, well-informed, and perceptively analyzed final paper.

Today in class we discussed variables and how they affect our situation. For example, when your driving do you have a control on all of the variables around you? The answer is no. you don’t know if there’s a drunk driver heading your way, or the person in front of you is texting and about to stop short at the light, you don’t know if someone is going to run the light and t-bone you….but you don’t consider these variables. So each situation is an even[t] with various structures within it much like driving. At this moment came the epiphany that there are an ongoing myriad of structures occurring within any given situation of our lives. The mobile represents the connections between the variables and structures that make up the events of life.

Fun?

Here at MU we’ve got a pretty generous student worker policy. Each of us can have one or more student workers if we can produce an explanation of how they’d come in handy. Their compensation is part of the financial aid package.

I’ve had several over the years. Their official title is “Igor,” pronounced eye-gore like the Marty Feldman character in “Young Frankenstein.” They’ve done various things for me, from rearranging my bookshelves by color to peer reviewing all my World History papers to bringing me up to speed on digital resources.

This semester’s Igor is an Albanian guy, which is fun because Gramsci (he tells me we’re spelling it wrong) was Albanian-Italian, and also because when my family lived in Italy in the 70’s we mythologized Albania (then a closed society) as a mysterious land of crazy geniuses. Which has, in fact, pretty much fit the few Albanians I’ve known.

OK, so on to the ‘fun’. Igor has been sitting in on one of my World History sections, to get a feel and make suggestions about how to improve the learning experience for students. He’s prepped me with a lot of great traditional teaching materials about 1914 (our topic at the moment). But it’s become clear that we’re not really on the same page about the project, which is no surprise and a learning opportunity for both of us.

I don’t want to be throwing traditional teaching materials at the students; I want to be guiding them in a process of figuring out how to find stuff for themselves. Igor has been impatient with the chaos of this process; he sees the students spinning their wheels and thinks we’re not really getting anywhere. But he’s very smart, and he pays attention, so he gets that I’m not going to be lecturing. What we need to do, he says, is package up the historical resources so they’re “fun” for the students.

Igor’s so far ahead of the game. It took me until grad school to figure this out. So much better than jamming the porridge down the students’ throats. Then it took me until I’d been teaching on my own for five or six years to become dissatisfied with it. It’s a trap. Yes, you win hearts and minds; you gain a positive relationship and a comradely process. Some learning does happen. But, once you go down the rathole of what students find fun, it’s almost impossible to get out. That fun sticks to what they already know and think like glue. Unless they happen to find learning fun, what they find fun and interesting is itself the cognitive / emotional limitation a higher education is meant to open out into new abilities, possibilities, and perspectives.

What I have to offer is not the laborious translation of history into their existing ludic frames. What I have to offer is whole new ways to have fun. The fun of understanding complex processes; of puzzling through ignorance to knowledge; of knowing what the hell you’re talking about. The fun of belonging in adult conversations, of being taken seriously for the quality of your insight and not just tolerated for the humanity of your personal opinion. The fun of a whole world bursting with interesting things, in which nothing isn’t interesting. Most of them don’t know this stuff is fun yet, because it’s not how education has ever worked for them. For some of them, the fun has been actively sucked out of learning. Trying to make learning fun in the ways they’re used to is not a solution to that problem.

Nowadays I try to make the process quirky and offbeat and informal in ways that are at least intriguing and non-threatening. But the fun doesn’t really start until they’ve hesitantly selected a topic and done some research and actually found something out. It’s then that the magic of education can slide in among the other pleasures of our lives.

Going with the flow

I was about ten minutes late to my “Race and Ethnicity in Global Perspective” class today. I’m doing a study group off-campus with some students who got fascinated by Marx last semester, and because of the way my brain works around time and presence, I lingered too long. From long experience I know I can minimize the consequences of this as long as I deliver robust value in the time remaining, even turning the ethos of the class from a quantitative time-served model to a qualitative work-accomplished model. So although I prefer not to be late, I’m not fretful about it.

The last time I was late, I mentioned that since the class is discovery and discussion oriented, there was in principle no need to wait for me and they could just go ahead and start. I mentioned that my ideal class was one in which the students seized control of their own learning and made the authority position of the teacher obsolete. That little speech is meant to create a fermenting contrast, but it does not usually work any immediate transformation – the habits of passivity are very deep.

But! When I walked into class today, one of the students who hardly ever says anything was presenting information and making an argument from the section of the text we’re working through that his study group was leading discussion on. (The text, btw, is Reilly, Kaufman, and Bodino’s Racism: A Global Reader.) I sat down quietly and the conversation continued for twenty minutes without any input from me. As we had discussed in setting up the order of march, members of other groups regularly chimed in with connections to their own sections of the text. Broadly speaking, they were trying to make sense of the dynamics of ‘internal Othering’, and how groups that were tolerated or even absorbed in one context could be stigmatized and oppressed in another. Eventually they reinvented frame analysis together, and I broke my silence to tell them so.

I am so happy and proud about this group. It certainly matters that there is a focused, disciplined, and motivated knot of military students; I suspect they were the catalysts of self-starting. But all of the students (about 15 today) were engaged when I came in; none of them much noted my entry, or shifted their attention to me as if the class would ‘really start’ now. It probably helped that I just sat down with them and did not make a show of moving to ‘the front’. It probably helped that this was the second run of our discussion format. It probably helped that we had brainstormed and concocted the discussion format together, with them getting the last word on how we would do it. It probably helped that the format engaged all of them by making the ‘leading’ group prompters rather than presenters, and explicitly encouraging connections to all of their centers of expertise.

Would this have happened if I was on time? Obviously not in exactly this way; I think my absence was a productive accelerant. This is a place where INUS conditions apply, which is fun because they reinvented those today, too.

Fixing a hole

(Crossposted from Dead Voles)

One of the themes of my history classes for the last little while is arrangement and assembly, both in relation to how history works and in relation to how the students work. If the little dinger goes ‘ding’ and they get that they’re part of history (I mean actually get it, not just spout canned homilies about it), so much the better.

I try to work this up into an appropriately complex analysis on the history side, in part by leveraging a more simple version of it on the student side. What’s been missing is a really clean image of the process of accumulation, arrangement, and assemblage that routinely goes into human works like, say, college essays – and their evaluation. You’d think you could just talk this through by direct reference to their own writing, but for reasons that are fairly complicated, many students are not receptive or actively resistant to direct writing instruction. I’ve found that a good metaphor sidesteps the blockage and creates leverage to move it. So, I finally just got around to accumulating and arranging a slideshow ( house presentation ) that I think may do the trick. It’s twelve slides of twelve pictures, which I’ll reproduce and discuss below (and crosspost on Attention Surplus to be part of that archive). The assembly will happen in each class discussion. I expect to take a whole class period with each group on this, timed right before they start producing process work for their first papers. Suggestions welcome.

The metaphor is building a house. First slide:

blueprint1

Easy enough. A plan. What is this, in relation to the assignment? Here I get to call their attention to all of the design guidance in the syllabus. Second slide:

cottage sketch

Is this a house yet? Why not? What is it? Third slide:

lumberyard1

Here we’re looking at raw materials. A tidy pile of lumber is obviously not a house yet, just like a pile of facts is not an essay yet. But wait, fourth slide:

rawlumber

Turns out that lumber wasn’t so raw, as materials go. We’re following the history of accumulation and arrangement here. (For me, and sometimes to the students, another image is a story Dyke the Elder tells about ordering a bicycle, ‘some assembly required’, and then having a truck roll up with a drum of raw latex sap, bauxite, petroleum, and so on.) Research; primary sources, secondary sources, interpretation, analysis. Fifth slide:

forest1

At this point we can safely say ‘and so on’, perhaps mentioning acorns and the strategies squirrels use to hide them from each other. We can also start to have a little side conversation about what it means to say ‘I built this’, which gets us to slide six:

on the patio

– which affords an opportunity to humanize the discussion, reflect more deeply on the narratives of independence in relation to the realities of massive systems of enabling interdependence, and talk about the relative fungibility of materials – since this is clearly not a house, although it’s made of some of the same things as a house. This is also a place to begin to bring home the connection to authorship and plagiarism. (Speaking of plagiarism, all of the images except this one used in this post and presentation came right up on a google search and represent ‘types’ in a way that makes me feel comfortably fair-usey about them. This is not an official legal opinion. My thanks to all of the creators and rights-holders.) Slide seven:

victorian1

Well that’s very nice, isn’t it. A finished house, a finished paper. What went into that? Planning, an image, materials, craft, elaborated skill and care. Slide eight:

modern1

Oh well hey, that’s nice too, and very different. Now we can talk about style. How would you pick between these too? Matter of taste here, but also who it’s for and what it’s trying to accomplish. Speaking of which, slide nine:

ranch1

Nothing wrong with this, especially if you’re getting a bit older and the stairs have become a quandary, or if you’re moving up from a single-wide and don’t want your sensibilities too jostled, or you’re a developer looking to make the cheapest possible buck, or you’re a society seeking a kind of material consensus, or etc. So here we get to talk about how styles do things in relation to audiences and agendas. I anticipate this is where the conversation is most likely to get bogged down in defense mechanisms. Slide ten:

grass house

Everyone just relax. Of course people build to suit local purposes and materials. And of course we can read those right back off of what they build. Is the ranch a ‘bad’ house? How about the grass one? How about the victorian? Depends on what you’re trying to accomplish, what resources are available, who’s judging and by what criteria. But that ‘depends’ is not an ‘it’s all good’ depends. Slide eleven:

wooden_and_tin_shack_488k

Most of the papers I get. In some ways an admirable contrivance, but we are still justified in reading a lack of resource, skill, and attention to detail back off of it. Not the sort of thing you’d want from certified accomplished fabricators like college graduates. And now slide twelve:

screwy house

Is this the same as the one before it? Why, or why not?

Conditions of work

I’ve been struggling with this teaching/learning journal because it feels like judgment and so it feels like I need to write perfect little essays, which for me is a disabling frame of mind. But that’s not what it’s for – it’s a rough field journal. So I’m going to try to get over that feeling. In the meantime, here’s an overelaborated post by the ideal standards of the genre:

I’ve been reading a report on gen ed reform (pdf) originally produced at Portland State University. It’s got the merits of being research-based and giving a glimpse behind the curtain of the reform process. One of the really important drifts of it (this is in 1994) is the contrast of an exposure-to-content gen ed model and an orientation-to-learning gen ed model, with its corollary contrast of consuming knowledge and producing knowledge. Very roughly speaking, in the first model content is the input, in the second it’s the output of a class. (Of course it’s almost never that simple in practice.) Another really important drift of the report is that students ‘get’ a gen ed that involves them in improving their learning and thinking skills, while bitterly resenting a gen ed that feels like a bunch of arbitrary content hoops they have to jump through.

Today I started my two gen ed World History classes on the orientation-to-learning path. Our topic this semester is ‘conditions of work’, and we began today with Nzinga Mbemba’s famous letter to the King of Portugal, from the early 16th century. We were in a circle, as usual, about 25 students per class. Warmed up by taking roll for the Registrar, played with names a little bit to relax the mood, then asked them to open the book. On the first page of the reading several things were going on, so we did some meatball epistemology: what are they? An editorial introduction consisting of skinny context; a section of questions for reading; a source citation for the document; and the start of the letter itself. How might it matter to notice these distinctions – doesn’t ‘the book’ just say things?

We (that is, the five or six easy talkers in both sections and I) got pretty quickly to the perspective-shift between primary and secondary sources, which allowed us to talk about perspective, bias, and the ‘God’s eye view’. Since we’re all limited in our scope, where’s the truth? Some of it is in each perspective, they said, so we agreed that improved truthiness comes from bringing diverse perspectives together. So primary sources have privileged direct access to bits of the truth, whereas ideally secondary sources are working synthetically with bigger chunks of it.

So if that’s true, why didn’t Reilly, the expert editor of the volume, just tell us everything he knows? Why did he stop at two skinny paragraphs? Why are we reading this rich but undeniably partial source? Well, from the pedagogical quotes in the syllabus we’d talked last (the first) week about Confucius’ suggestion that good teachers give students one corner of a subject and expect them to find the other three themselves. Not just the content but its mode of acquisition is important – being told makes dependent learners, figuring things out makes independent learners. But also: even though his expertise gives Reilly’s understanding a real multiperspectival authority, he’s still neither omniscient nor personally experienced in his field (he has never been an early 16th-century King in Congo). When we join him in the direct investigation of the past we add further breadth and depth of perspective, and help to correct for the limitations of his own point of view, however well informed it may be. We are all in this boat together.

But what’s the payoff? After all, no one in the class is going to get laid, get a job, get a better car, or play football better because they know something about the Congo five hundred years ago. This is knowledge we have no interest in; we don’t care about it. It doesn’t remind us of us.

Well, maybe we’re just curious. But more compellingly, what happens when we try to figure out our own lives? We get bogged down in the myopia of overinvolvement. Our feelings get all jostled. Our prejudices hem us about. Apparently, caring and being interested are not reliable guides to quality knowledge. Maybe we can practice the skills of analysis on something we don’t care about; something in which we have no interest. And then we become people who can figure out stuff for ourselves, reliably and responsibly; which, I suggested, is how college education makes you somebody suited to the kind of job where you make your own decisions rather than obeying someone else’s orders.

In each section this all took about 45 minutes and we had about 20 left to look at the document itself. That was very, very interesting but I’m running out of brain for the day so it will have to be another post.

Imagination, identification, and learning

We’re often told that we learn best from people ‘like us’, with whom we share a bond of identification. Along the fortified borders of identity work this is supposed to mean the big trouble categories like gender, race, and class.

I’m not going to dispute the premise, or even its vulgar applications. Clearly some women learn better from women, some working class kids learn better from teachers who share that background, and so on. Also, some white boys learn better from other white boys, which is where the liberal fantasies attached to the empirical observation run into trouble. Because we very much want white boys to learn from women and people of color, don’t we. And we also don’t want white boys to be the only ones who can see past the ends of their own noses. Nor, of course, do we want our Gen Ed business or engineering or nursing students to come out the other side of our classes still thinking of history, literature and philosophy as the wonky preserves of impenetrable weirdos.

We’ve got to learn more broadly, not less, and that means we need to construct our identifications more broadly, not less. I’m not saying anything Anthony Appiah didn’t already take for granted when he was 6. But he and I have led charmed lives that immediately enabled a more inclusive imagination about who and what is ‘like’ us enough to learn from. I was lucky to have Gerald Durrell, Charlotte’s Web, Watership Down, and The Hobbit around when I was a kid. It never occurred to me you couldn’t learn from turtles, spiders, rabbits, and trees. Deliberation, patience, loyalty, and taking the long view, among other things.

I get that enabling a broader imaginative identification is more of a struggle for some folks. But still I’m fascinated that a culture busily churning out learning aids for children and imaginative entertainments peopled by plants and animals can also produce self-evident garbage about the identity-matching of teachers and students. Even that old bastard Kipling understood, in his hierarchical and racist way, that we can learn just fine from the Other. And I get that the discourses of identity and representation can be important leverage to open up spaces in education and society for people who are otherwise excluded. I get that there’s something existentially horrifying and materially disabling about a whole educational career that dramatizes the exclusion of people ‘like you’ from the positions of authority and status.

But that’s a devil’s bargain, a desperate shortcut. That ‘like you’ is a trap. The problem is not that ‘we’ are not represented in the world of learning. The problem is that we conceive ourselves too narrowly, and so we learn much less than we could, and should.

OK, so how does this cash out in my practice? Well, I can’t just come at my classes with exhortations to engage imaginatively with the Otherness of the past. They get plenty of scolding about their limitations; those just push them deeper inside their shells. And I’m certainly not going to do a little lecture in which I assure the black lesbian women that we’re more alike than they think. We are, but we’re not there yet. As always, imaginative identification has to be constructed, it can’t just be asserted by fiat.

A lot of what I do is just sidestep the whole issue of categorical identification. I don’t think it’s an issue, so I don’t make it one. I grant that the past is uninteresting (we have no ‘interests’ in it) to disable the usual defenses, then jump right in with intriguing material that’s obviously more complicated than that. Curiosity does the rest – it has to, unless you want to get into a mutually demeaning disciplinary regime of constant prodding and quizzing. But curiosity has to be enabled, which is where a classroom practice heavy in recursive questioning comes in. Every answer raises three more questions, and the mystery gets deeper the more of it we solve. This is not just process, it’s payoff, but there’s a big nut to crack here – our students have now been trained by several generations of positivistic educational assessment to think there needs to be a definite answer for an upcoming test. So here’s a place to talk about answers being more or less ‘robust’ rather than ‘right’ or ‘wrong’ – but that’s another post.

So what’s the answer? I’m still finding out. But with some robustness I can say that anyone can be interested in anything by anybody as long as curiosity is engaged. And what engages curiosity is a kind of ignorance that’s readily fixed by finding out, plus an environment in which good questions are valued and good answers lead to more good questions.

Which is the gift?

Today a student came in to my office to talk with me about its final paper. It actually had a finished copy of the paper, along with what seemed to be a gift bag with nice tissue embellishments.

I thanked it for the bag and put it aside, remarking that I would open it when the student was no longer my student. Then I took the paper and began to look it over. Meanwhile the student, glowing with pride and accomplishment, told me the story of how the paper came together – how, in thinking about how to synthesize its first two papers it had poked at a little research, found something unfamiliar, followed it up, found something fascinating, followed it up, and ended up with something that was dramatically richer and more interesting than anything it had ever done before.

This student thought gen ed World History was going to be an unpleasant waste of its time, and was initially put off by my loopy, open-ended style. This is the student who later said that the class made it realize it had not known how to think critically.

I looked the paper over. It was well-written and full of research and thought. I could see I was going to learn things I didn’t know. I asked the student what the main theme of its new understanding was. What it told me was terrific but only tangentially stated in the first paragraph, which was otherwise excellent, so I suggested it make its point more explicit and review the paper one last time for focused development of that point. The last edit that goes from A- to A.

Christmas has come early for this teacher. I really don’t care what’s in the bag.